And finally out. We stride around them into the open dragway of the sidewalk. To work! Except the impatient fellow, who dashes just into the street, against traffic, to pass all of us. Smack into a delivery boy's bike, front wheel passing between the commuter's legs, his forehead and the biker's nearly knocking, wire basket into his chest, taking the wind out of him. He wilts, gasps, and limps back onto the sidewalk, trouser seam torn. Nothing serious, though, for him or the biker. And we all registered the lesson.
Tuesday, September 30, 2014
tortoises and hares and roadrunner
Through the mezzanine and up the subway stairs to work: a knot of commuters, smack into the slow, two abreast, overweight backsides of a couple, struggling with each step, blocking the way. We silently sigh, and pack in behind them. The commuter abreast of me, a fellow of my age, dress and build, more visibly impatient than the rest of us. Step. ... Step. ... Step ...
Friday, September 26, 2014
stapled
It is quite strange to look at a signed contract, or a will and testament, or a lump of gold, or a live stock certificate, and think what it - the object - is doing to be of value. Or being. But the strangeness itself is stranger. For what these objects are doing - holding value to terms - stapling - is comprehensible only in society. Our society. And it is as our social selves that we are least strangers to ourselves: best seen to ourselves.
We will pay to hear a tune, but know nothing of the chords or technology of transmission. We only want the tune, and others, who want the value at our disposal, bend to provide it. Everything has something of money in it, at least potentially. That, of itself, is not sad. Realizing the money inherent in many things is deeply sad, of course. To sell one's own or another's intimate body or soul is sad. Living a money-driven life is sad. To sell one's dexterity or voice is potentially sad, but in our culture, not immediately so, and more often a happy, daily transaction.
So what are these objects - gold, contracts, negotiable instruments - doing? These things that can make us sing? The modern legal category-name for stock certificates - negotiable instruments - and the beautifully suggestive term ancient term will give the decisive clue. They are being the thing that takes two steps, and are doing the step.
The first step is to be present for what we - not just those directly involved, but the society in general - say the thing will be. The second step is to make it harder for us to change what we said at the time the next human action. The object abides between the two steps and in abiding connects them by limiting the second step to the first. That is why these objects bear marks of validation - seals, signatures, hallmarks, legal opinions.
They are staples. They restrict the subsequent step to the prior, they persevere against change over time, but only relative to the affixed parts: that is, only so long as the broader society holds to the two steps. Gold is not valuable if the society that makes it so altered - it simply feels that way because there is a kind of social sameness that connects us and ancient Babylon, and that aspect of society is persistent about the fact of precious metal value. But how we think of that fact changes greatly, and so gold is far more malleable in its conception, as well as its substance, than a worded contract. The Magna Carta, or the charter of the Hudson Bay Company are, in that sense, far more persistent.
We will pay to hear a tune, but know nothing of the chords or technology of transmission. We only want the tune, and others, who want the value at our disposal, bend to provide it. Everything has something of money in it, at least potentially. That, of itself, is not sad. Realizing the money inherent in many things is deeply sad, of course. To sell one's own or another's intimate body or soul is sad. Living a money-driven life is sad. To sell one's dexterity or voice is potentially sad, but in our culture, not immediately so, and more often a happy, daily transaction.
So what are these objects - gold, contracts, negotiable instruments - doing? These things that can make us sing? The modern legal category-name for stock certificates - negotiable instruments - and the beautifully suggestive term ancient term will give the decisive clue. They are being the thing that takes two steps, and are doing the step.
The first step is to be present for what we - not just those directly involved, but the society in general - say the thing will be. The second step is to make it harder for us to change what we said at the time the next human action. The object abides between the two steps and in abiding connects them by limiting the second step to the first. That is why these objects bear marks of validation - seals, signatures, hallmarks, legal opinions.
They are staples. They restrict the subsequent step to the prior, they persevere against change over time, but only relative to the affixed parts: that is, only so long as the broader society holds to the two steps. Gold is not valuable if the society that makes it so altered - it simply feels that way because there is a kind of social sameness that connects us and ancient Babylon, and that aspect of society is persistent about the fact of precious metal value. But how we think of that fact changes greatly, and so gold is far more malleable in its conception, as well as its substance, than a worded contract. The Magna Carta, or the charter of the Hudson Bay Company are, in that sense, far more persistent.
Thursday, September 25, 2014
up front
So give me a man with the touch of feminan,
And a woman that glints with man,
Like the glint of a fret
Pressed to wire plucked to sing
The song of a semiquaver subway smile
Cross the face of a man that's just man,
Or a woman that's so again, but was then
More than, wavering, not uncertain,
But vibrato metal note
Dropped into an open mouth of ash
That had been and will be silent,
But now voices the glinting touch.
And a woman that glints with man,
Like the glint of a fret
Pressed to wire plucked to sing
The song of a semiquaver subway smile
Cross the face of a man that's just man,
Or a woman that's so again, but was then
More than, wavering, not uncertain,
But vibrato metal note
Dropped into an open mouth of ash
That had been and will be silent,
But now voices the glinting touch.
Monday, September 22, 2014
5:15
Silence echoes inner stillness, as echoes tell of inner motion. To be in repose, or becalmed, is a dangerous state.
Monday, September 15, 2014
Without salt, is there taste in the white of an egg?
Doing biases telling. Wanting biases telling. But entire disinterestedness obscures telling. What is most telling is almost wholly disinterested, but with a motivating tincture of activity and need. The judge abench: removed and still but not inert.
Monday, September 8, 2014
a plain one
Howard Marks, a financier, says that his success is a matter of being "aggressive, timely and skilled." For someone in a relatively uncorrupt commercial space, whose activities are too numerous to be a matter of luck, good or bad, I think that's about right.
Will you hence, before the tag return?
There are, of course, King James only hashtags. #CompleteInThee is one from Bob Jones University.
marauders
Among broad, old, elastic social labels, it is remarkable that conservative and liberal do have and retain some meaningful relationship to the non-social meanings of the verbs to conserve and to free/be free. And we should not expect conservative behavior of those with nothing to lose and nothing to be freed from.
Sunday, September 7, 2014
citified
The profit motive, of itself, is hardly in need of explanation. It begins with need, then security, then comfort and pleasure, and finally branches into more idiosyncratic satisfactions, of seemingly ratified competence, or of ego, or power. What is harder to explain is the participation of one person in another's profit.
Tuesday, September 2, 2014
powerless
Too much realism is a debility. There is reason behind assigning truth telling to the fool, the aged, and the captive. As the idle soldier leans on his rifle, so the mere truth teller admits a want of other use for words.
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